Venice Glass Week 2020
VENICE GLASSWEEK 2020 | CORTE DELL ARTE GALLERY | EMBRACE | nathalie rodach + anne mourier
SEPTEMBER 5th-13th 2020
Corte dell Arte, Castello 6482, Calle Del Cafetier
Venezia, 30122, Italy
Corte Dell’ Arte presents Nathalie Rodach and Anne Mourier, both conceptual artists.
For millennia now man has been trying to prove that he is independent of the universe and has the ability to control and dominate it at the cost of destroying his own environment.
We are the universe. It contains us and we contain it. By destroying it we destroy ourselves.
Rodach presents works on paper, glass and video that tell the world in which we recognize ourselves. Rivers and sap from trees remind us of our own blood: menstrual or blood from scars and the wounds of our wars. In mirror, Mourier’s glassworks tell our fragile and powerful bodies resembling hills, plants or oceans, containing the universe.
What could be more alive and creative than the dance of two individuals who meet, confront each other, listen, collaborate?
All forms of love are creators and generators of life and ecstasy.
Sèves Brutes : Futur au Chateau Palmer, Présent à Arret sur l’image Galerie et passé au MADD Bordeaux
I offer you a journey where the immense and elusive future is revealed in videos captured in the vineyards of Château Palmer, where the present stopped and overflowing on paper works are presented at Stop on the Image Gallery. Traces of the past, fossils, are to be sought in the courtyard of the Museum of Decorative Arts and Design in Bordeaux. Museum of Decorative Arts and Design of Bordeaux from May 17 to September 17, 2018 Stop on the gallery image from May 17 to July 13, 2018 Château Palmer already passed
Nuit de la photo de la Chaux-de-Fonds, 8th édition
The La-Chaux-de-Fonds Photography Night presents my work Inspire and expire at the same time, video on Saturday February 16, 2019.
Nests, burrows and other refuges – Teva
Commissioned by the Contemporary Art Fund of Meyrin Switzerland, the installation takes the form of a boat as a projection of the nest, the idea of Noah’s ark – Teva in Hebrew – carrying on board all the species per couple, the ideals and the illusions. An ark washed up after the flood. A promise of a roof, a nest to rebuild and the fragility of the boat like a dream. A roof-boat where everything is reflected and first and foremost our projections. The nest-cocoon inside the boat, the only living thing, carries the promise of dreams. Maturation and growth space, matrix of what will hatch, it invites the visitor to question his changes of state. Dreams don’t touch, they live.
The absence in our path – Pavillon Tunisien Venice Biennale 2017
The Absence of Paths is a human performance staged across Venice which, for the duration of the Biennale, represents an idyllic microcosm of the world: a place where human beings can still move freely from nation to nation. This is represented in a physical travel document called Freesa, produced with the help of Veridos, a leader in producing secure identity documents for countries and businesses around the world. The debate extends beyond the physical space of Venice, thanks to an interactive online platform which will present text, video, audio, recipes and photographs collected from a wide range of thinkers, and will serve as a meeting point for visitors from around the world.