Sèves brutes (Raw saps) Present

Our common blood, reflections on what flows through un in three tenses : now

Seves brutes (Raw Saps) - present - Part of the 180 pieces drawing
2018 Installation Arret sur L'image Gallery Bordeaux
Seves brutes (Raw Saps) - present - Part of the 180 pieces drawing
Installation Seves Brutes (Raw Saps) - Present - 180 dessins
sanguine, white and sepia ink- 180 drawing 65x50 cm each
total size 1300 x 450 cm
Installation Seves Brutes (Raw Saps) - Present - 180 dessins
Seves Brutes (Raw Saps) present visitor
Seves Brutes (Raw Saps) present visitor
Seves Brutes (Raw Saps) present one of the 180 pages
Seves Brutes (Raw Saps) present one of the 180 pages
Seves Brutes (Raw Saps) present one of the 180 pages
Seves Brutes (Raw Saps) present one of the 180 pages
Seves brutes (raw saps) - present - Part of the 180 pieces drawing
2018 - installation à Arrêt sur l’image, galerie Bordeaux
Seves brutes (raw saps) - present - Part of the 180 pieces drawing
Seves brutes - present - Installation of part of the 180 pieces drawing
2018 - installation at Arrêt sur l’image gallery Bordeaux
Seves brutes (Raw Saps) - present - Installation of part of the 180 pieces drawing
Seves Brutes (Raw Saps) present page 165
Seves Brutes (Raw Saps) present page 165
Seves Brutes (Raw Saps) present visitor
Seves Brutes (Raw Saps) present visitor
Seves Brutes (Raw Saps) present visitor
Seves Brutes (Raw Saps) present visitor
Seves brutes (Raw Saps) - present - Installation of part of the 180 pieces drawing
2018 - installation at Arrêt sur l’image gallery Bordeaux
Seves brutes (Raw Saps) - present - Installation of part of the 180 pieces drawing

It would be a journey where time would be visible, an immense but elusive future in the installation of a Chateau, apprehensible but overflowing in the present of a gallery and finally very concentrated for a past that must be unearthed in a museum.

It would be a story without beginning or end, a story of time and encounters, encounters between people, interior encounters, encounters with emotions as well. Juxtaposed and correlated encounters and sometimes as intangible as they are essential

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Sèves brutes (Raw Saps) Future

Our common blood, reflections on what flows through un in three tenses : soon

Seves Brutes (Raw Saps) - Future- diagonale 1
2018 Projection of Diagonale (1), Diagonale (2) on a Video Box and Fractale video on the floor
Seves Brutes (Raw Saps) - Future - projection on a video box
Seves Brutes (Raw Saps) Future projection
Seves Brutes (Raw Saps) Future projection
Sèves Brutes Future pigments on the Vinyard soil detail
Sèves Brutes Future pigments on the Vinyard soil detail
Seves Brutes (Raw Saps) - Future - Diagonale 2
2018 video 3'29
Seves Brutes (Raw Saps) - Future - Diagonale 2 video
Seves Brutes (Raw Saps) - Future - Diagonale 1
2018 Video 3'29
Seves Brutes (Raw Saps) - Futur e- Diagonale 1 extract of a video
Seves brutes (Raw Saps) Future lignes rouges
2018 - 1km of pigments spread in the vines of Château Palmer to reveal the life that beats underground
Seves brutes (Raw Saps) Future Red lignes
Savoir photography
2018 Photography
Savoir photography
Seves Brutes (Raw Saps) - Futur - projection in a video box-Une vie (matin)
Seves Brutes (Raw Saps) - Futur - projection in a video box-Une vie (matin)
Seves Brutes (Raw Saps) - Futur - projection of videos Visitor
Projection of Diagonale (1), Diagonale (2) on a wooden video box and Fractale on the floor • The visitor is watching Une vie (matin) video through the eyecup
Seves Brutes (Raw Saps) - Futur - projection of videos Visitor
Traces from the future to the past installation
2018 pyrography on paper and pyrodorides
Traces from the future to the past installation
Seves Brutes (Raw Saps) - Between Futur and Past - Souffle (inhale and exhale) in process
2018 Diptych blowed pigments and ink on paper
65.5 x 50.5
Seves Brutes (Raw Saps) - Between Futur and Past - Souffle (inhale and exhale) in process
From the past to the future Glass with gauze branch and stone 3
Gauze branch glass and stone | 25 x 3 x 48 cm
From the past to the future Glass with gauze branch and stone 3

It would be a journey where time would be visible, an immense but elusive future in the installation of a Chateau, apprehensible but overflowing in the present of a gallery and finally very concentrated for a past that must be unearthed in a museum.

It would be a story without beginning or end, a story of time and encounters, encounters between people, interior encounters, encounters with emotions as well. Juxtaposed and correlated encounters and sometimes as intangible as they are essential

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Absence in our path

Coming toward parts of oneself one doesn’t know

The absence in our path | Pure
Gazes pures, 37 detail 4 2016 | photography
The absence in our path | Pure
The absence in our path | Traces
(h)Être| Shadow 2017 | photography
The absence in our path | Traces
The absence in our path | Membranes
2016 | photography
The absence in our path | Membranes
The absence in our path | Up and downs
Série ligne de fuite 2017 | photography
The absence in our path | Up and downs
The absence in our path | Up and downs
Série ligne de fuite 2017 | photography
The absence in our path | Up and downs
The absence in our path | flights
Oiseaux 1, 3 , 2 et 4 2015-2017 | photography
The absence in our path | flights
The absence in our path | Exil
Série Passages 2017 | photography
The absence in our path | Exil
The absence in our path | Equilibrium
Série Lignes de fuite |
The absence in our path | Equilibrium
The absence in our path | Equilibrium
Série Lignes de fuite | 2017 | Photography
The absence in our path | Equilibrium
The absence in our path | Waters
Série Sangs et eaux | 2017 | video andt photography
The absence in our path | Waters
The absence in our path | Waters
Série Sangs et eaux | 2017 | video andt photography
The absence in our path | Waters
A
Série Sangs et eaux | 2017 | video andt photography
A

In the surrounding darkness, I seek for a way, a why toward the light. The sounds reaching me make no sens, they gather with my thoughts, weaving nothing. They spring up from all sides, I got lost It is the familiar leap in the unknown feeling that every morning calls for and every evening sooths. I begin maps I can’t read, but witch presence reassure me. The paper material on which they are sketched, the shards in my memory, indicate more validly the north that what I try to decipher from the surroundings.(…)

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Call Out (re)cueillir

From mutation to emergence : endless crossings - part 2

(h)Être installation
2017 Installation of 8 (h)Être logs and and one stump
(h)Être nest of nests Installation
(h)Être lump detail 1
Lump 1 - dreams of King Nebuchadnezzar. interpreted by Daniel (Daniel chap 5 verses 1 to 24) pyrographed
(h)Être lump detail 1
(h)Être log E Projected shadow
E-Projected shadow - extrapolated shadow in red acrylic paint
(h)Être Nest - Log E - Projected shadow
Her Nest 1
Feathers and hair nest in a carcked tumbleweed
90 x 140 x 60 cm
Hair nest 1
Passage du temps installation
Screening of naître (1) video of the release of the Call In cocoon on 3 passages of time which are revealed by a construction light
Passage of time and naître (to be born) video
h Être nid
3 logs of (h)Être and memory of a nest in red silk strings| G-Deuteronomy 20-19 and 22-6 et 7 engraved | H-Psalms 9-13 engraved | I-Proverbs 27-28 engraved
120 x 90 x 45 cm
(h)Être - nest - 3 logs of (h)Être and red silk strings
Fil de pensee Call Out
2017 thoughts scattered in red pen on resin floor
Fil de pensee Call Out (sthread of thoughts)
Fil de pensee 4 detail
2016 Unbridled thoughts on the topic of Deuteronomy 22-6 and 7 on paper
Fil de pensée 4 (Sthread of thoughts on paper)
Passage du temps adar 2 detail
2016 - papier poinçconné du temps qui passe - un point par minute pour le mois embolismique, Adar 2 sur papier
50 x 60 cm
Passagedu temps- Adar 2 - detail
Red Strings Call out installation
2017 Installation of the call out pieces, red pen and photographs and the thread of thought on the ground
Red Strings Call out installation
Nid pyrogravure encre rond 2 detail 2
2016 Ink and metalic pyrography on paper
61 x 64.1 cm
Nid pyrogravure encre rond 2 Nest pyrograved on ink
Nid pyrogravure encre rond 3 detail 2
2016 Ink and metalic pyrography on paper
61 x 64.1 cm
Nid pyrogravure encre rond 3 detail 2016 Ink and metalic pyrography on paper
Nid pyrogravure encre rond 4 detail 1
2016 Ink and metalic pyrography on paper
61 x 64.1 cm
Nid pyrogravure encre rond 4 detail 2016 Ink and metalic pyrography on paper61 x 64.1 cm

What is this fragile and subtile place where we shelter to give birth and nurse. What are the twigs we carry to be able to let go our weapons, secrets and treasures. What is this place of our safety, imaginary projection, as well as the one of our eviction. Will we collect our own creation or will we seize those of others ?

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Call in (re)muer

From mutation to emergence : endless crossings - part 1

Cocon Call in
Made of found wood, red threads, bible verses wrapped in glass then released in two performances. at Chimney NYC Brooklyn
150 x 180 x 470 cm
Cocon Call In - Family tree of the bearing
cocon call in detail 1
Cocon Call In - Family trea of the bearing detail 1
cocon call in detail 2
Cocon Call In - Family trea of the bearing detail 2
Photogram cocon call in
Shadow of the Call In cocoon captured on 35 positive Ilford sheets in 1.2 second exposure
280 x 251.5 cm
Cocon Call In Photogram -
(re)nommée 2 projection of the future
2016-Video projected on the ceiling
5'40
(re)nommée 2 projection of the future on the ceiling of the Chimney NYC
Hidden figures - Violettes 1
Photographs of violets, violets and their dried leaves in a book
23.5 x 15.3 x 3 cm
Hidden figures - Violettes 1
The divine comedy carre
Nest made of hair and feathers in a book
24 x 17.2 x 4.4 cm
The divine comedy - nid 2 - nid de cheveux et de plumes dans un livre
Holy Quran-Voile 1
Quran veiled in gauze and red silk threads
22.6 x 35 x 27.5 cm
Holy Quran-Veil 1
Mes prisons detail
Butterflies changing and flying from the book My Prisons
24.7 x 15.7 x 4.2 cm
Mes prisons - Papillons 2 - detail, butterfly escaping from the book
Installation geographie de la memoire visitors
Geographie de la mémoire visitors exploring traces of the past
Installation geographie de la memoire - Bibilothèque
Bookshelfs containing fragments of the past.
Holly bible et Tanah Deuteronome 22-6 et 7
Holy Bibles and Tanahs marked with deuteronomy 22-6 and 7 by photos of birds
Holly bible et Tanah Deuteronome 22-6 et 7
Call in boite -Mémoire detail
Transport box with 5 drawers: 1st drawer Passage of time call in / call out and red pins / 2nd drawer thread of thoughts / 3rd drawer The Gospels books and red silk threads / 4th drawer Red silk threads / 5th drawer silk threads white and red pins -
23.5 x 38.22 x 25 cm
Call in boite -Mémoire detail
cocon call in après
After releasing the cocoon
cocon call in - after

The intimate changes that guide us, wrap us in modest screens. A wood and glass cocoon, as the place and us who navigate between a projected future and our fragmentary memories testifying to the moults passed in decomposed and fragmented books.

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Décrocher la lune

Exploring the stranger within ourselves

Autoportrait-Nath-1
2nd Modality - Self Portrait
Self portrait-Décrocher la Lune
Carnet recherche de lune
Exploration diary from a moon to another
Moon research note book
LKunes installation nuit
Moons in plexiglas installation
Lunes night installation
Lunes installation jour
Installation of moons in plexiglas and exploration of our invisible parts
Lunes daylight installation
Fil argent sur blanc 1 lune detail
2014 Photography
Silver moon on white 1 moon detail
Fil Blanc sur papier Blanc 1 Lune
2014 photography
White thread on white paper 1 moon
Fil Noir stylo noir sur papier Noir 1 Lune
2014 black pen on paper
65 x 50 cm
Black pen thread on black paper 1 Moon
Fil Noir stylo noir sur papier Noir 1 Lune detail
2014 photography
Black pen thread on black paper 1Moon detail
Passage-lune-avant-attentes-2-detail
2014 - Blue pen points on paper, on dot per minute between August 24 and September 23rd 2014
65 x 50 cm
Moon passage before
Passage de lune pendant
2014 - Stylus hole on paper, one hole per minute between September 24th and October 23rd 2014
65 x 50 cm
Moon passage through
Passage de lune pendant backlighted detail
2014 - Stylus hole on paper, one hole per minute between September 24th and October 23rd 2014
65 x 50 cm
Passage de lune pendant rétroéclairé détail
Presentation-Carnet-de-recherches-2
4th modality Research notebook Presentation
4th modality Research notebook Presentation

Décrocher la lune  – Diary – Tuesday September 24th, 2:13 The moon isn’t here, she didn’t rise, she watches out behind the earth what will secretly be, she sprouts. I am scared.

Wednesday September 25th  11:22 We stepped in the new year with the necessary idea of ​​redemption, forgiveness to ourselves. Between the dishes and  honey sweetness, the idea of ​​getting together and the ferocity of this return in oneself to seek for good and bad, of better maybe. A first ambivalence of the self and the other, inside and outside. I grope with joy, I put down the elements of reflection as the worker controls his tools before setting to work. I bring order, I count and welcome.

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