Sèves brutes (Raw Saps) Past
Our common blood, reflections on what flows through un in three tenses : before
It would be a journey where time would be visible, an immense but elusive future in the installation of a Chateau, apprehensible but overflowing in the present of a gallery and finally very concentrated for a past that must be unearthed in a museum.
It would be a story without beginning or end, a story of time and encounters, encounters between people, interior encounters, encounters with emotions as well. Juxtaposed and correlated encounters and sometimes as intangible as they are essential …
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The museum is the place to take a step back, question and put into perspective. Whether we take the wine or the work, they are put here in contexts that go beyond the context of those who produced them, created them, there is extrapolation from the traces. All the more so in a museum of decorative arts and design where we show the beautiful, the useful, the envelope, He speaks in hollow of what had been contained there. It is therefore the place of the past but also of fruitful inspiration.
